Sunday, January 6, 2013

The Colonel: The Extraordinary Story of Colonel Tom Parker and ...



A meticulously researched biography, this story profiles “The Colonel” Tom Parker, the man behind Elvis Presley, in a compelling new light. Filled with startling material found in never-before-seen documents, including Parker’s army records, psychiatric evaluations, and police reports, this investigation challenges even the most familiar aspects of the Presley saga. Parker, who handled every aspect of Elvis Presley’s career and much in his personal life, is revealed as an overwhelmingly selfish man who sought to hide his own illegal alien status rather than further the art of a great musician. Astonishing and impeccably written, this entertaining book proves that the only figure in American popular culture as fascinating as Elvis Presley is Colonel Tom Parker, the man who shaped Elvis, and in turn shaped music history.


Alanna Nash’s biography of Colonel Tom Parker uncovers a life story even more complicated, dark, and entertaining than that of the promoter’s greatest talent, Elvis Presley. Nash had unique access to the Colonel and many of those closely connected to him in assembling the facts that underlie her narrative, and the book reads like a mystery as it probes the origins of Parker’s power.


Ultimately, Parker was protecting himself in his manipulation of Elvis, Nash argues. Though her evidence is not conclusive, she suggests that Parker (born Andreas Cornelis van Kuijk) feared deportation his entire life, but, more importantly, he may have fled his native Holland in 1929 after committing murder. In America Andreas transformed himself into Tom Parker while immersing himself in the worlds of the carnival and circus. This work led him to the promotion of musical acts and, eventually, the creation of his greatest mass entertainment and merchandising bonanza, Elvis. Elvis would become a shield against the demons of Parker’s past and resource to fuel his insatiable appetites.


Parker’s life remains shrouded to a large degree, despite Nash’s efforts. The narrative is at times sensational in its attempts to dramatize the malign aspects of Parker’s character, and those coming for a definitive answer as to the cause of Elvis’s self-destruction will find new light, but no final answers. Yet, Nash’s biography will likely remain the best picture we will ever have of the mysterious Tom Parker, and fans of Elvis will appreciate this insider’s view into their hero’s rise and fall. –Patrick O’Kelley





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